"MOTHER EARTH as Composition"

“MOTHER EARTH as Composition”, 1974. JABRO copyright
This JABRO masterwork is, with its size of 295 cm x 150 cm, the biggest of her invented and worldwide unique - “Graphicpaintings”, ©.

The theme of “Mother Earth” is as old as the earth itself.
However, despite of today’s high-tech world, thankfully, there are still mysteries hidden within “Mother Earth’s Nature”, and not yet discovered and destroyed by the destructive human species.

This unique JABRO masterwork combines four of JABRO’S eleven inventions and novelties (*) for the arts, as following:
(* See JABRO’S HOMEPAGE at www.JABROART.com, navigation bar, section “Home Page”.)

1.) The multilayered theme of the perception “MOTHER EARTH” is underlined in JABRO’S here shown “GRAPHICPAINTING”, ©, by the embryonal position of the main figure, aperfectly realised equal COMPOSITION of“TWO IN ONE”, or “MALE and FEMALE in ONE”.

2.) Already in 1962, the professional artist JABRO created (to the same time) her first and second unique innovation for the arts in form of the perception “THE CROSSED MOUTH”, ©, doubtlessly a theme, which is broadly multi-layered and described by the artist as genders’ equal “CONTRAST-PAIR”, ©. 

Therefore, “Mother Earth” as composition (1974) is created and based on the artist’s topic of her “Contrast-Pairs”, ©. That means,in this case her masterwork’s main-theme are the “Opposite Halves forming a Whole” and in the consequence, have been repeated several times in variants.

3.) In this masterwork, JABRO’S “Crossed Mouth” symbolises in its HORIZONTAL, frontal and doubledfacial position the meaning of INTAKING LIVEin a gender independent function. However, it has this function only, videlicet the single existence-conserving (food-) intake and therefore must be described as “one half of the whole’s two contrary halves”, ©.

The opposite symbol of the “other half of the whole” is the topic of GIVING LIFE in view of the conceptive intercourse and subsequent birth of new life. This basic theme of all living creatures is symbolised and personated by the phallus-symbol “arm” reaching between two vertically laid leg-formations. In the logical consequence the VERTICAL MOUTH symbolises the completing cross-part of the other, but HORIZONTAL MOUTH.

4.) In addition, the symbolizing of the longer part of the here shown bow (*) means just another vertical mouth of “MOTHER EARTH’S CROSS-FORMATION”, ©, with its “disgorged” (antique) doll. It symbolizes the personification of one, in the plural “horrified” females born into any misogynistic and children-disliking, therefore most pathological men-societies.

This cold-blue ”PAINTING IN PAINTING”,©, is reaching to viewers’ right-hand side lower corner and therewith indicating an eruption or “REACHING OUT OF GIVEN BORDERS”, ©. In this case the symbol of the females’ wedging (border-) formation is given in view of their oppressions in any respect.

However, to the same time this personification of females’ oppression (= discouraging neglect of their more genetically given gifts and talents) is supporting the exclusively visible stabilisation of the composition and its masterly handled room-division.

(* The same bow-formation is shown @ www.JABROART.com, navigation-bar’s section “JABRO’S Graphicpaintings”, main (thumbnail-) page from left hand side to right hand side, thumbnail third row, fourth painting, titled  “Princess At Three”, 1968.)

The symbol of this second vertical mouth and its life-giving birth to the next generation (personified by that frightened (antique) doll)represents herewith again the oppositional, but logical principles of “cause = procreation and effect = birth = Contrast-Pair”, ©, and to the same time JABRO’S other invention for the arts in form of the cold-blue “(Graphic-) Painting in (Graphic-) Painting”, ©, which is “Reaching out of Given Borders”, ©. 

Therefore, the main-theme of “MOTHER EARTH’ S” logical function (regarding of cause & effect) isperformed and confirmed by the results of those intertwined actions in form of the (antique) doll (symbolising a small girl) trapped in JABRO’S cold-blue “Painting in Painting”, ©. It is symbolising too the (unsuccessful) attempt of “REACHING OUT OF GIVEN (INHUMAN) BORDERS” with the hint to any misogynistic men-societies.

The contradiction to those provably disadvantaging facts (females are faced with) is the personification of a toddler-boy’s existence (*) in the painting’s left top corner.
The small child’s subjective - sublimated presentation there is underlined with his identical hand-, respectively foot-prints.
(* Portrait of the artist’s first son at the age of two years)
Both representing symbols of small children are personifying, as genders’further “Contrast-Pair”, ©, the next generation of circle’s life, death and rebirth (= resurrection).

5.) Within the symbolised and frightened toddler-girl’s trapping in DNA’S rules and society’s most questionable ancient and “modern” conventions, symbolised by JABRO’S cold-blue “Graphicpainting” (- in Graphicpainting”), the scene-arrangements are pointing onto the same sort of repeated failures done from each generation to the next generation.
Such sad facts are including, as well, destructive, but traditional malfunctions and negative habits of inherited ignorance, by permanently exploiting uncountable generations of females, being treated as men-societies’ second class humans. After those discriminating rules mothers are not being worth to get an own top-income and pension for the most indispensable TOP-PROFESSION in the world, such as carrying out new lives for nine months and then giving birth to the next generation of parents and taxpayers by properly rearing them up to their maturity twenty-four hours, seven days a week (24/7)!

Such pathological-misogynistic misunderstandings of women’s indispensability for the FUTURE of their countries are still very common, by sadly disregarding their essential hard work of rearing and socially integrating their offspring, up to their maturity. Commonly, this happens during many years of their valuable, but mainly oppressed lives often being forced to vegetate under the poverty-level. In the logical consequence, all women (especially the more vulnerable mothers) must demand to be accepted as equal partners of men, in any respect, but men still must learn to accept that it is not “manly”, but suicidal to oppress women as the ONLY SOURCE of their very own mundane existence and those of future generations!

Generally, all women have been and still are born into the testosterone-driven misogynistic world ruled by a permanent reciprocation of build up and destruction, based on human DNA’S inflexible percentage of eighty.

In the consequence, humans’ ability to change the world to a better one lies by DNA’S flexibility of only twenty percent formable by education and surrounding. However, even a percentage of twenty gives humans’ enough room to act in a future-orientated, responsible and dutiful manner for saving the most beautiful “Blue Planet” into the next Millenniums!
In view of this responsibility the international symposiums of politicians (trying to find an acceptable solution for those problems) are very positive and hope-giving signs of good will, which should not become perverted to a non-functional “Alibi-Function” only! 

In view of those mentioned facts, which have been clearly proved by “HISTORY OF MAN”, and impressively documented by the ancient and modern MEDIA, humans should be always aware of their responsibility in regard to positively bring to work, such as the generality’s priorities of healthy survival into the future.

This cannot happen with the short living and egocentric self-satisfaction of the smaller groups of multi-riches and also the wider groups of misogynistic men-societies, but with the wisdom, insight and understanding of all people to see the important BIG PICTURE of a better liveable world.

In view of today’s pathologically misogynistic societies, which are permanently aggrandizing the instability of their nations, one should not forget the nearer past of the last one hundred years coined by too many dreadful, but avoidable (world-) wars with most negative long-term effects for the, so called, “Developed World”!

Described as one of the few wholeheartedly and responsibly feeling artists offering through the topics of her art truthful and valuable messages to think and act about, JABRO’S intention within this masterwork from 1974 were to point out onto the warning-signs of then and today’s societies decay on all cultural and religious-ethical levels to be stemmed RIGHT NOW.

Since the environmental, societal and cultural decay of any nation has its roots in the fateful disrespect and neglecting of MOTHER EARTH’S indispensable and undisturbed natural functions in every respect, the within connected, most essential, CULTURE-PRESERVING FAMILY CIRCLES - to be seen as the BASIS of each form of positive progress in any state and nation - must be restored and preserved, because most needed for today’s and tomorrow’s survival into any liveable future!

In other words, for the sake of human species’ healthy survival into the LIVEABLE future, the indispensable understanding for restoration- and preservation needs of MOTHER EARTH’S undisturbed FUNCTIONAL SURVIVAL STRATEGIES (*) in any respect, must be activated again, right now, as being the ONLY NATURAL SOURCE of all living creatures.
(* Again, this necessity includes certainly healthy and functional family circles equally led by both parents responsible for the undisturbed development and successful integration of their offspring into the respective societies!)

That means, at last: all the aggressive and destructive men of this beautiful and having-to-be preserved world in charge for all its suppressed, raped, exploited and murdered women and children, MUST BE FOREVER THE ROT OF YESTERDAY’S IGNORANCE TO BE ABLE TO SECURE TODAY A LIVABLE FUTURE FOR TOMORROWS HUMAN RACE!